The Picasso Heist is a true story—except for the parts that aren't. It's about organized crime, power-hungry officials, filthy rich Manhattan art people, and a twenty-two-year-old thief who stole from them all. One of the rules of the Witness Protection Program is that you're not allowed to profit off the reason they stick you in it. How James Patterson even heard about my story in the first place is still a mystery to me, although I guess that's what a lot of his books are—mysteries. Patterson must have had access to somebody awfully high up with a badge, because that's the only way to explain it. There's a reason none of what I told him ever made it into the press. You might think you know what's going on, and you might think you know what's going to happen next. And maybe some of you will. Most of you won't.
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